In 1967, Pearl Bailey appeared in an all-Black Hello, Dolly! It was a sensation, smashing preconceptions, showcasing civil rights, and announcing a new era on Broadway
On an afternoon in June 1966, the Broadway star Pearl Bailey ran into the theatrical producer David Merrick at a videotaping of the popular game show What’s My Line?
Bailey needed a boost. She had made her Broadway debut in the 1946 Harold Arlen–Johnny Mercer musical, St. Louis Woman, which had brought her fame and a Donaldson Award for best newcomer, but a number of flops had followed, including the 1954 Harold Arlen–Truman Capote musical, House of Flowers, which closed after only 165 performances.
I am proud to announce the release of a new album, The Korngold Symphony. On this two-disc release, the first disc presents, for the first time ever, a recording of the Symphony in F#, Op.40 performed by the composer himself, an incredibly special historical recording from the Korngold Family Archiv...
Among the many confusions about the private Russian army known as “the Wagner Group” is how to pronounce its name. Reporters and pundits seem to vacillate between “Wag-ner” and “Vog-ner.” Also, nobody seems to know how the group got its name....
The star of “Tár” reunites with her opening-scene partner for a conversation about listening to music, going before audiences, and the art of acting in life and in the movies....
Actor Cate Blanchett and writer/director Todd Field talk to Michael Beek about creating their riveting psychological drama set against the backdrop of very real music-making......